TANGIBLE WORK
OIL MARKER AND WHITE OUT PENS ON POLAROID FILM (BLACK BORDER)
OIL MARKER AND WHITE OUT PENS ON POLAROID FILM (WHITE BORDER)
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BRUSH PEN ON PAPER
SHARPIE ON VINTAGE MAGAZINE PAPER GLUED ONTO POLAROIDS
Melancholic emotions were a large influence
for these pieces which were done on pieces
of 1950s magazine printing paper.
for these pieces which were done on pieces
of 1950s magazine printing paper.
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SHARPIE ON POLAROIDS
The eight images above were created
when my polaroid camera malfunctioned several times
causing the images came out as brown negatives. I discovered I
could manipulate the chemicals used to develop the photo and create
these white, blue and green abstract designs. What followed are the
silhouette illustrations you see above.
The eight images above were created
when my polaroid camera malfunctioned several times
causing the images came out as brown negatives. I discovered I
could manipulate the chemicals used to develop the photo and create
these white, blue and green abstract designs. What followed are the
silhouette illustrations you see above.
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BOOK OF COLLAGES "SELF & OTHERS"
Self & Others is a five page book of collages exploring themes like
love, transformation, compassion and fandte. Book pages, vintage photos
illustrations done by myself and pieces of magazines come together
show a representation of our collective consciousness and how despite
how separate we appear, we are one, we are love.
Self & Others is a five page book of collages exploring themes like
love, transformation, compassion and fandte. Book pages, vintage photos
illustrations done by myself and pieces of magazines come together
show a representation of our collective consciousness and how despite
how separate we appear, we are one, we are love.
OIL MARKER ON DRY WALL
The first one of these drawings I ever did was in the middle column top row.
It reinvigorated my long lost interest in drawing and I began exploring how
my stream of consciousness translated into illustrations. Soon a seven foot by
two foot wall was filled with dozens of these drawings.
The first one of these drawings I ever did was in the middle column top row.
It reinvigorated my long lost interest in drawing and I began exploring how
my stream of consciousness translated into illustrations. Soon a seven foot by
two foot wall was filled with dozens of these drawings.
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